Posts tagged Writing Made-for-TV Movies
Tools I Use to Write and Edit My Romance Screenplays

If you’re writing romance screenplays, having the right tools can elevate your storytelling and open doors. In this post, I share my go-to resources— from Final Draft for screenwriting to IMDbPro for research productions companies. Plus: tips on getting feedback from industry professionals using The BlckLst and Stage 32. Whether you’re pitching on the go, or polishing that perfect love scene, these tools will support your process from start to “happily ever after.”

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Romance Novel vs. Romance Screenplay: What’s the Difference?

Thinking of writing a love story but not sure if it should be a novel or a screenplay? This post breaks down the key differences between romance novels and romance screenplays—covering format, pacing, point of view, and storytelling style. Whether you're dreaming of a swoony book or a Hallmark-style movie, you'll learn how to choose the format that best fits your story.

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To Pants or to Plot: That is the Question (When Writing Romance Screenplays)

Are you a plotter or a pantser? When it comes to writing romance screenplays—especially holiday or made-for-TV love stories—your approach can make or break the emotional arc. In this post, we explore the pros and cons of both writing styles, plus tips for finding the perfect balance between planning and spontaneity.

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Writing the Perfect Meet-Cute: Tips for TV Rom-Com Scripts

Looking for the perfect way to bring your romantic leads together? This post shares 10 charming, fresh meet-cute ideas to help you craft irresistible chemistry in your next TV romance or screenplay.

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5 Mistakes New Romance Screenwriters Make (And How to Fix Them)

When I started writing romance movies for TV, my scripts had too much of everything. Too many speaking roles, too many one-off locations, and conflict that came out of nowhere. Sound familiar? If you're dreaming of writing your own Hallmark or Lifetime-style hit, here are 5 common mistakes that can tank your script (and how to fix them before your producer throws it across the room).

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